Major development happened this week. I switched places with another student and my mentor now is Kevin Koch. A 13 year animation veteran who gave up neuroscience and doctoring to become an animator. There is something about Kevin' no nonsense approach of critiquing that attracts me. He dissects his students' work with the precision and detail of a brain surgeon. I am old school and his approach suits me fine. I learn more from a drill seargent style than I would from 'explore your options' type. I feel that I should only explore my options AFTER mastering the foundations and principles of acting and animation.
Kevin worked on all the hand-drawn films ("Prince of Egypt" to "Sinbad"), clawing his way from the clean-up department to the animation department on "Spirit." Transitioned to CG for "Shrek 2" and then "Madagascar" and "Over the Hedge".
Thank you Teresa. Just got done with my 1st Q&A with him, he has a lot to say, which is great. The man is so helpful, he covers anything from Maya tools, to workflow, to story fundamentals. He has a wealth of knowledge and he is not afraid to share them. I am so glad I'm in his class. And I AM SO HAPPY FOR YOU - OWWWW!
My last mentor was Kevin, he knows a lot. All of our Q&A's I took notes on and posted in the forums (if you want to dig through the archives). I assume you know of his great blog www.synchrolux.com, worth checking out because he has a workflow walk thru, which shows how he works which he always had trouble explaining :)
I grew up watching old animated black and white Disney and Fleischer Bros. cartoons, Russian cartoons, as well as animation work from China and India.
I attended junior colleges in southern California majoring in art with emphasis on cartooning and animation (that was before 3D). Tom Shannon who later became a Disney storyboard illustrator on such hits as Aladdin, Beauty and the Beast, Lion King, Hunchback of Notre Dame, just to name a few was a major influence on developing my skill and style in cartoon illustrations. I was fortunate enough to take a 2D animation class by a retired Disney/Hanna-Barbera animator, the late George Goepper at Orange Coast College in Costa Mesa. We used pegboards, animation paper, animation cells and learned the very basic foundations of animation.
I dabbled with Infini-D, 3DSMax, and Animaion:Master until the rise of Animation Mentor.
My goal now is to simply become the best animator that I can be. If I get a job animating for a living, all the better. Or I could simply make my own shorts and tell my own stories, which I also enjoy.
3 comments:
Oh, you'll learn a ton from Kevin! I never had him as a mentor, but I've learned a lot just by reading his posts!
Have a great term Dhar!
Thank you Teresa. Just got done with my 1st Q&A with him, he has a lot to say, which is great. The man is so helpful, he covers anything from Maya tools, to workflow, to story fundamentals. He has a wealth of knowledge and he is not afraid to share them. I am so glad I'm in his class. And I AM SO HAPPY FOR YOU - OWWWW!
My last mentor was Kevin, he knows a lot. All of our Q&A's I took notes on and posted in the forums (if you want to dig through the archives). I assume you know of his great blog www.synchrolux.com, worth checking out because he has a workflow walk thru, which shows how he works which he always had trouble explaining :)
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